Simon Williams
London, STATE United Kingdom
“What matters is not what you look at, but how you look at it.” I would say my art is a process-led approach, based on concepts of my personal history incorporating site-specific elements. Through my own emotional experience, I would like to ... More
Artist Statement:
“What matters is not what you look at, but how you look at it.”
I would say my art is a process-led approach, based on concepts of my personal history incorporating site-specific elements. Through my own emotional experience, I would like to draw people’s attention to the world that surrounds us.
I want them to experience a new way of seeing and I attempt to shift peoples’ visual hierarchy by valorising textures and objects normally discarded or overlooked. Objects around us are powerful, full of history and memories; I truly think material has meaning. These resonances of emotion and concept within the material are subject to people personal interpretation but are undeniably present: I push viewers to reappraise what they consider common views.
Also, I would like to call out the beauty of passing time and life experience to people’s mind. I am fascinated with the aesthetics of the process of time and mutability, and the effect that time has had on the material. I enjoy the idea of capturing marks of time and of inviting people to look at them, life history and the environment in an alternative way.
Finally, I use my art to share my feelings, to comment on the art market and its logics, on what it means to be an artist in the commercial art world: what does it mean to make art that, by necessity, must be sold and therefore judged by the buyer, and how this can impact the artist’s emotion and practice.
I would say my art is a process-led approach, based on concepts of my personal history incorporating site-specific elements. Through my own emotional experience, I would like to draw people’s attention to the world that surrounds us.
I want them to experience a new way of seeing and I attempt to shift peoples’ visual hierarchy by valorising textures and objects normally discarded or overlooked. Objects around us are powerful, full of history and memories; I truly think material has meaning. These resonances of emotion and concept within the material are subject to people personal interpretation but are undeniably present: I push viewers to reappraise what they consider common views.
Also, I would like to call out the beauty of passing time and life experience to people’s mind. I am fascinated with the aesthetics of the process of time and mutability, and the effect that time has had on the material. I enjoy the idea of capturing marks of time and of inviting people to look at them, life history and the environment in an alternative way.
Finally, I use my art to share my feelings, to comment on the art market and its logics, on what it means to be an artist in the commercial art world: what does it mean to make art that, by necessity, must be sold and therefore judged by the buyer, and how this can impact the artist’s emotion and practice.
Education:
09/1980 – 06/1981: Worthing Art College
Foundation Course
09/1981 – 06/1984: Liverpool University
BA of Architecture
Foundation Course
09/1981 – 06/1984: Liverpool University
BA of Architecture
Exhibitions:
01/01/2017 - 31/01/2017: The Last Supper January Exhibition – The Last Supper Gallery
24/11/2016: King of Camden Awards – Camden Town Unlimited
01/10/2016 - 31/10/2016: The Last Supper October Exhibition – The Last Supper Gallery
30/09/16 to 03/10/16: MEWS2: JAKBOX exhibition – JAKBOX Studio
02/07/16 to 04/07/16: MEWS1: JAKBOX exhibition – JAKBOX Studio
21/04/2016 - 06/05/2016: JAKBOX Presents – JAKBOX Studio
01/08/93 – 13/08/93: Exhibition of theatre poster by Simon Williams – Soho Poly Theatre
1985: Car performance:
As the opening sequence of the performance, Simon Williams and his friends Steve and Joel Cockerill, cut a car into portable pieces, the pieces would then be used as instruments, on which music/sounds would be played, before the pieces were made into a piece of sculpture by Jonathan Froud.
1983 – 1990 : Pavement Painting
-- ART FAIR
03/04/05 Nov 2016: The other art fair London – Truman Brewery
22/23/24 July 2016: The other art fair Bristol – Arnolfini
3/4/5 June 2016: The Untitled Artists Fair - Chelsea Old Town Hall
24/11/2016: King of Camden Awards – Camden Town Unlimited
01/10/2016 - 31/10/2016: The Last Supper October Exhibition – The Last Supper Gallery
30/09/16 to 03/10/16: MEWS2: JAKBOX exhibition – JAKBOX Studio
02/07/16 to 04/07/16: MEWS1: JAKBOX exhibition – JAKBOX Studio
21/04/2016 - 06/05/2016: JAKBOX Presents – JAKBOX Studio
01/08/93 – 13/08/93: Exhibition of theatre poster by Simon Williams – Soho Poly Theatre
1985: Car performance:
As the opening sequence of the performance, Simon Williams and his friends Steve and Joel Cockerill, cut a car into portable pieces, the pieces would then be used as instruments, on which music/sounds would be played, before the pieces were made into a piece of sculpture by Jonathan Froud.
1983 – 1990 : Pavement Painting
-- ART FAIR
03/04/05 Nov 2016: The other art fair London – Truman Brewery
22/23/24 July 2016: The other art fair Bristol – Arnolfini
3/4/5 June 2016: The Untitled Artists Fair - Chelsea Old Town Hall
Artistic Influences:
Marcel Duchamps, Andy Warhol, Picasso, Antony Gormley, David Hockney, Yves Klein, Piero Manzoni, Edward Hopper, Keith Haring, Robert Rauschenberg, Boyle Family, Richard Long, Damien Hirst ...
Artist Tags:
concecptual art, texture, surface, time, aesthetic, urban
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