Artist Statement:
International award-winning artist | European Museums | Unesco
Dictated by its finality and its [removed]a working process), the origins of movements and forms I did not conceive them totally beforehand, but by experimenting them physically on canvas or stone. What is experimenting, “trying”? Arrive at a coordinating point such that the energy goes through naturally. These are flows of motion rather than shapes and figures. By “trying” a sequence of movements and verifying that the energy passes, I find myself in front of multiple possibilities of other movements (abstractions). Then I “try” again and choose, and so on, creating a flow of energy. In fact, this flow builds the immanence of the body movements by transforming every conscious sense into a movement (abstraction) emerging from the unconscious of the body. We should emphasize here the unconsciousness of the body: consciousness opens, decays, and loses its bearings.
Do you know what saves them from Cut, Paste, and noLife?! - You play, you assassinate, you cut, you drain the life from the biological body and then mimic it, endowing the anatomical material with the pictorial blood, in a “lively object-painting”, transforming it into an inorganic study sequel, into a contemporary aesthetic object.
Education:
MA FAS Montreal, CA
BA fine art Europe
Awards & Distinctions:
Many: Nagoya Japan, UNESCO, Distinction, Honored
Professional/Teaching Experience:
high school level
Exhibitions:
Switzerland, Germany, Hungary, Austria, Italy, US, CA, Japan, Dubai/ United Arab Emirates, Argentina, Grenada Caribbean
Artistic Influences:
Fifty years ago, the Francis Bacon thought, aimed to restore the body “to a kind of dignified, animal resignation”. For him, art was about ribs and forearms and eye sockets. “It was about flesh over bone. Bacon never forgets that flesh is meat”.
In my case, the bone become excessory, the flesh becomes inflesh, an inorganic re-definition. The purveyor of inflesh of all kinds, as an inflection, of livid and brilliant hues: phthalo greens, cobalt blue, eerie pale or saturate red and shocking yellows, sepulchral titanium whites, black ivory and ritually primitive lines. The excessories of my artworks, steel and fiberglass erection, conjure unlikely anatomies and intelligent devices.
Artist Tags:
inorganic body, deconstruction, montreal, berlin, intelligent sculpture, polunin
